Saturday 25 May 2019

Short Attention Span Record Reviews, May 2019 Vol. 2


CAVE IN – Final Transmission
Featuring bassist Caleb Scofield’s final recordings before his tragic death in 2018 this is a fitting epilogue to a great, great band. A big chunk of the album’s proceeds will go to Scofield’s young family so don’t be a dick, buy this. (8)

DEATHSPELL OMEGA – The Furnaces of Palingenesia

Chaotic, dissonant black metal might not be everyone’s cup of tea but Deathspell Omega excel at it. (8)

EARTH – Full Upon Her Burning Lips

Sabbath mixtape? Check. Pack of Rizlas? Check. Fridge full of Heinekens? Check. OK, I'm ready! (7)

HOT WATER MUSIC – A Flight And A Crash/Caution (Remastered)

The band’s fourth and fifth albums from the early 00’s remastered and reissued on vinyl. If you missed out on one of the best punk bands of the last 20 years the first time around, not unlikely as they were sometimes found under the unattractive and inaccurate “emo” label, now’s the time to repent and do something about it. (8)/(9)

HOT WATER MUSIC – Shake Up The Shadows

5-song EP does not deviate from the HWM canon of melodic, passionate punk rock. It’s out on Epitaph, their 2001-2004 label, if this signifies something to the fans. (8)

IFRIQIYYA ELECTRIQUE – Laylet El Booree

A fascinating amalgam of ritualistic trance music from the Southern Tunisian desert and industrial post-punk. (8)

LAST POETS – Transcending Toxic Times

Spoken word/proto-hip hop pioneers return less than a year after their last album following a long hiatus. Whereas 2018’s “Understand What Black Is” was reggae-flavored, this one’s funkier. Some of the poems have appeared on previous albums with a different instrumentation. (7)

LISA MORGENSTERN – Chameleon

Ethereal Goth nymph cosplays 4AD circa 1985. (7)

LONE JUSTICE – Live At The Palomino 1983

Unearthed and previously unreleased live performance. Don’t expect hi-fidelity on a two-track recording, to paraphrase Tom Waits this is music with the rinds and the seeds and the pulp left in, but after starting the set with a deceptively mellow ballad the band explodes into a frenzy of manic cow-punk that’ll leave you breathless, led by a frontwoman who’s nothing short of a force of nature. (8)

MAVIS STAPLES – We Get By

Legendary gospel/blues/soul singer turns 80 and still releases excellent albums, this time with some help from Ben Harper. (8)

PAICE ASHTON LORD – Malice In Wonderland (Remastered)

Reissue of 1977 minor classic from the extended Deep Purple family. “Ghost Story” is a timeless hit but the whole album is top-notch funk rock. (8)

RAMMSTEIN – Rammstein

When they bring on the Metal they sound pretty epic, on the more dancefloor-friendly tracks like “Auslander” they sound a bit Eurovision-y, but in a good way. The videos are pretty awesome. (8)

SAINT VITUS – Saint Vitus

Saint Vitus always sounded dirtier and moldier than their American Doom peers in Pentagram and Trouble, and the new album is VERY dirty and moldy, like it has just been dug up after twelve years in the tomb. And, having started out playing with Black Flag in the early 80’s, they come full circle and close the album with a real hardcore punk song. (7)

SHOW ME THE BODY – Dog Whistle

Third album by NYC band specializing in angular noise rock. I’ve read comparisons to Fugazi, At The Drive In and Death Grips, but to me they sound totally 1990 Jesus Lizard/Amphetamine Reptile. Check it out if you’re into that stuff. (8)

VARIOUS ARTISTS – Jobcentre Rejects: Ultra Rare NWOBHM 1978-1982

Great compilation of rare recordings by obscure bands such as Baseline, Predatur, Frenzy, Die Laughing, Static, Metal Mirror etc., the only relatively known but long forgotten one being Spider. There’s nothing game-changing here like Iron Maiden or Diamond Head, just lots of good-time beer-soaked songs that in some cases are more Status Quo boogie rather than pure heavy metal, but in any case probably deserved better than a privately issued small-run 45 release. (8)

Saturday 11 May 2019

Short Attention Span Record Reviews, May 2019

THE HEAVIER STUFF

ARCH/MATHEOS – Winter Ethereal

Even though I’m a huge Matheos/Fates Warning fan I have to say this one sounds a bit forced – almost as if the main purpose of the occasional weird prog-metal time signature is to accommodate Arch’s verbosity and awkward phrasing. (7)

BAD RELIGION – Age Of Unreason

I love Bad Religion, one of my favorite punk bands ever, but this is not one of their best albums – it starts out really strong but somewhat deflates towards the end. They can still kick the ass of 99% of all other punk bands though. (7)

BIBLE OF THE DEVIL – Feel It

No surprises, just the expected Maiden/Lizzy worship with slightly off-key vocals. (6)

DUB TRIO – The Shape Of Dub To Come

Best known as frequent Mike Patton collaborators Dub Trio return with their first album in eight years, a metal/dub-reggae hybrid featuring special guest vocalists Buzz (Melvins), Troy (Mastodon) and Meshell Ndegeocello. (7)

ENFORCER – Zenith

They’ve got the hooks, they’ve got the mustache, all they need now is a stupid “human pyramid with mouths open” promo photoshoot and the metamorphosis into “Blackout”-era Scorpions will be complete. (7)

GRAND MAGUS – Wolf God

Heavy metal the way it should be, epic and catchy at the same time in the time-honored tradition of 80’s Manowar and Dio. (8)

L7 – Scatter The Rats

Grunge runners-up return after a 19-year hiatus. “Scatter The Rats” is OK for a brief nostalgia trip if you were there in the 90’s, but will be totally forgotten within a couple of months. (6)

MARISSA NADLER & STEPHEN BRODSKY – Droneflower

Gothic folk chanteuse teams up with hardcore/metal guitarist. Includes a cover of Guns’n’Roses’ “Estranged” because, apparently, Nadler likes dolphins. Recommended if you like black clothes and tons of reverb. And dolphins. (7)

PELICAN – Nighttime Stories

Do you remember post-metal? Do you remember Hydra Head? Do you miss that stuff? (7)

SABBATH ASSEMBLY – A Letter Of Red

Prog/occult rockers return with their most “pop” album to date, i.e. with shorter songs and catchier melodies, trying to recreate the 70’s but ending up with a very 2011 sound. (7)

VAURA – Sables

Members of Kayo Dot, Gorguts, Dysrhythmia, Tombs etc. explore their inner Depeche Mode/The Cure. I fucking hate Depeche Mode and the Cure. (6)

VARIOUS ARTISTS – Brown Acid: the Eighth Trip

This is a great compilation series if you’re into obscure late 60’s / early 70’s hard rock and proto-metal, and its eighth instalment will introduce you to painstakingly discovered total unknowns like White Rock, Luke & the Apostles, Bartos Brothers Band and Moloch. (6 for the actual music, 11 for the concept and the effort)


THE OTHER STUFF

ALTIN GUN – Gece

What this Dutch/Turkish combo plays is supposed to be a tribute to the Turkish psychedelia of the early 70’s (yes, early 70’s Turkish psychedelia was a thing). I’m sorry, but to my ears it sounds too much like the Greek skyladika I grew up to hate. (5)

BIG THIEF – U.F.O.F.

It’s a charming little folk record but come on Pitchfork, 9.2/10? No way. (7.7)

BILLY JOEL – Greatest Hits Vol. 1 & 2

Sony Music re-releases, re-masters, re-packages etc. this one every few years, they just did it again and for good reason, if you need a masterclass in PERFECT songwriting then look no further. (10)

CAROLINE SPENCE – Mint Condition

An excellent country album by a very talented young woman who sounds like Dolly Parton, Sheryl Crow, Tom Petty and various Pistol Annies all rolled into one. (8)

CRAIG FINN – I Need A New War

The Hold Steady totally owned the 00’s. This is their leader’s fourth, and best, solo album – more subdued and quiet than his band’s output, but his storytelling just keeps getting better and better with each song packing more punch than a Bukowski novel. Seriously, if you can’t get into these songs you have no heart. (8)

DREAM SYNDICATE – These Times

Reimagined for the 21st Century, Steve Wynn’s band release their second post-reunion album and it sounds nothing like the previous one, so it’s exactly what you’d expect from the Dream Syndicate. Psychedelic and motorik at times, Beatles-y and REM-y and jangly at others, it’s a pure delight. (8)

FELICE BROTHERS – Undress

American rootsy folk rock quartet enhances its sound and goes political. Some of these tunes wouldn’t feel out of place on a Springsteen set. (7)

JOSH RITTER – Fever Breaks

With Jason Isbell at the helm as producer and Isbell’s band The 400 Unit providing the back-up, comparisons will be inevitable. (7)

MEAT BEAT MANIFESTO – Opaque Couche

Electronic music pioneers and important influence to everyone from Massive Attack to Nine Inch Nails return with a strong album titled after the world’s ugliest color and sounding quite 90’s-ish. (7)

LILA DOWNS – Al Chile

Mexican singer with otherworldly voice capabilities covers Manu Chao, invites guests like Norah Jones, and sings about immigration, injustice, politics, and cooking. Not her best album, still really good. (7)

LIZZO – Cuz I Love You

She can sing, she can rap, she can dance, she can even play the flute, and she can certainly join Janelle Monae and a couple of other multitalented black female artists on the list of possible heirs to Prince’s throne. (8)

RHIANNON GIDDENS WITH FRANCESCO TURRISI – There Is No Other

After releasing a magnificent album with folk supergroup Our Native Daughters, Giddens returns just two months later with a Mediterranean-flavored masterpiece working with Italian multi-instrumentalist Turrisi, and it looks like she might end up having two spots on 2019’s end-year List. (9)

VINTAGE TROUBLE – Chapter II, EP II

A further move towards a smoother sound, still influenced by their 60’s heroes like Otis Redding but with some of the dirt cleaned up. (7)