METAL: Halftime

OK, so I don't normally do this, but since we're halfway through the year here's a list of the year's 20 best metal and metal-friendly albums to date. The list is alphabetical, if you think I missed something I really don't care:

BEHEMOTH – The Shit Ov God
A grandiose black/death metal statement, and probably their best since career-high “The Satanist”.
CRYPTOSIS – Celestial Death
An interesting combination of prog, blackened death metal, and thrash, with keyboards. People will make comparisons to Vektor and Blood Incantation but I’m old enough to remember Nocturnus.
DEAFHEAVEN – Lonely People With Power
They bring the metal back and it’s a triumph – you still have shoegaze-y guitars pop up here and there but this is their heaviest record in at least a decade, reminiscent in places of second-wave Norwegian black metal like Emperor and Enslaved.
DREAM THEATER – Parasomnia 
Portnoy’s return to the line-up coincides with a strong album that will thrill prog metal fans, but whether this sound can still be described as “progressive” after 35 years of it is debatable.
GHAALS WYRD – Braiding The Stories
Ex-Gorgoroth frontman tries to pull an Ihsahn and to a large extent he succeeds.
GHOST – Skeleta 
Even though it’s still one of the better heavy rock releases of the year, shows the first signs of tiredness? Certainly not as catchy and fun as “Impera".
HANDGEMENG – Satanic Panic Attack
The stoner bastard child of Turbonegro and Kvelertak.
HELLACOPTERS – Overdriver
A very welcome return for these guys and their brand of infectious, high-energy rock ‘n’ roll. Now, where’s Gluecifer so they can tour together?
IMPERIAL TRIUMPHANT – Goldstar
Masked technical death metal virtuosos on their most accomplished album to date, their avant-garde-leaning compositions finally resembling songs rather than just aiming to impress.
MACHINE HEAD – Unatoned 
This album will certainly make the haters say that they’re just trying to align their sound with what’s going on today, but it’s really a solid late-career album that kicks the ass of what most younger thrash/metalcore bands are capable of.
MELVINS – Thunderball
They throw another curveball at us with a revised line-up, bringing back the original drummer from 1983 and adding a couple of electronic/noise artists into the mix. It sounds exactly like the Melvins without sounding much like the last 25 Melvins albums.
PENTAGRAM – Lightning In A Bottle
How’s it possible that this guy's still around? In any case even with a new line-up backing him Liebling can still kick the ass of any young doomster, and this new album is groovier – not exactly Clutch, but think Trouble’s “Manic Frustration”.
PIGS PIGS PIGS PIGS PIGS PIGS PIGS – Death Hilarious
Doom/sludge metal band Pigs x7 instill a bit of Helmet into their formula and bring home the bacon.
PROPAGANDHI – No Longer Young
Canadian punk/metal heroes return with another excellent slab of technical, thrashy social commentary.
RIVERS OF NIHIL – Rivers Of Nihil
Progressive death metal, not as adventurous as, say, Blood Incantation, but expertly written and executed. This one will appeal to people outside the metal ghetto too.
SANHEDRIN – Heat Lightning
A lady you wouldn’t mess with on vocals and bass backed by a couple of hooligans on guitar and drums, this is traditional heavy metal in its purest form channeling early 80’s Riot and Maiden and all sorts of good stuff.
SPIDERS – Sharp Objects
Nordic rockers return and this time they pump up their Detroit/Australia-style garage punk rock with some late-70’s NYC vibes – I can hear traces of Blondie, The Ramones, even Richard Hell/Stiv Bators/Johnny Thunders in here.
TURNSTILE – Never Enough
If this is modern hardcore, I have to say that in places it sounds a lot like a cross between imperial era Chili Peppers and The Police. This is meant as a compliment.
VENAMORIS – To Cross Or To Burn
Mrs. Lombardo releases strong goth/trip hop album featuring her husband and his friends (Alex Skolnick, Gary Holt) like you've never heard them before.
WITCHCRAFT – Idag
It’s much better than “Black Metal” and “Nucleus”, probably better than “Legend” too, and as fuzzy and riff-tastic as their first three albums on Rise Above.