The Metal:
AGALLOCH – The Serpent & the Sphere
Listening to this makes me want to slit my
wrists. Which is a good thing, because listening to almost every other folky
doom/black metal band makes me want to slit the band members’ wrists. (7)
CROWBAR
– Symmetry In Black
Great
riffs as always. Can’t stand the big dude’s vocals as always. (7)
DEAD CONGREGATION – Promulgation Of The Fall
Sort of like getting your face kicked in by a
professional football player wearing steel-toe boots. But in a good way. (7)
DOWN – IV Part II
Down raised the bar so impossibly high with the
first two (some will say three) albums, that now even a perfectly good Down
record is not good enough. (7)
EYEHATEGOD
– Eyehategod
2014: Eyehategod
> Crowbar ≥ Down. (8)
KILLER
BE KILLED – Killer Be Killed
Given
that it’s a supergroup featuring guys from Soulfly, Mastodon, Dillinger etc.
and that as a general rule supergroups usually suck donkey cock, this is pretty
fucking good. It’s heavy, it’s catchy, it’s fun. (8)
MISERY
INDEX – The Killing Gods
Death
metal with lots of groove plus a bit of Slayer and a bit of Slipknot thrown in
for good measure. Cool. (7)
VALLENFYRE
– Splinters
Sounds like Hellhammer if the latter could
actually play. (7)
The Rest:
BEN FROST – A U R O R A
You don’t listen to this for enjoyment, you
listen to this to be hip and smart. Look at me, I’m hip and smart. (7)
BILLY JOEL – A Matter Of Trust: The Bridge To
Russia – The Music
A truly great live album revisiting Joel’s seminal
1987 USSR tour. Quite frankly I’d rather listen to this than to Ben Frost. (10)
JOLIE HOLLAND – Wine Dark Sea
Her voice sounds a bit like Bessie Smith or
Billie Holiday, her songs sound a bit like weird Van Morrison or straight Tom
Waits. Nice. (7)
KING DUDE – Fear
“American gothic” vibe and a baritone voice
singing songs about the Devil over punked-up rockabilly guitars. Looks better in
writing than it actually sounds. (6)
SARAH
McLACHLAN – Shine On
No
masterpiece of “Fumbling Towards Ecstasy”-like proportions, but still a good
collection of radio friendly “adult pop” tunes. And Sarah, those “ooh-ooh-ooh”
vocals on “Love Beside Me”? I love you for that. (7)
SHARON
VAN ETTEN – Are We There
Not
bad for a hipster-friendly version of Sarah McLachlan. (7)
STURGILL SIMPSON – Metamodern Sounds In Country
Music
You’ll have a hard time finding a better
country record to listen to this year. And the occasional trip into psychedelic
country rock is pretty amazing. (9)
THE
BLACK KEYS – Turn Blue
So
these guys are big now. They sound bigger too, basically they’ve moved into
classic rock territory. (7)
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