Sunday, 22 April 2018

Short Attention Span Record Reviews April 2018 Vol. II


A PERFECT CIRCLE – Eat The Elephant

Third release 14 years after the second one marks a stylistic change, with the piano and keyboards being much more prominent on a solid prog album. The vocals act as methadone for all the Tool junkies who’ll wait another 10,000 days for an album by Keenan’s main band. (7)


This time they go full-on southern rock, channeling everyone from the Allman Brothers to the Black Crowes to the Georgia Satellites. (7)

MELVINS – Pinkus Abortion Technician

The grunge/sludge weirdos keep it fresh with another line-up twist – two bass players this time around, adding Jeff Pinkus from the Butthole Surfers to the mix. They also cover a couple of Surfers tunes on this one, hence the album title, and play a few originals as well, but what they’ve done to The Beatles’ “I Want To Hold Your Hand” is the top reason to listen to this. (7)

MUSTASCH – Silent Killer

People call them “stoner”. Dunno, this sounds like straight-up HEAVY METAL to me. (7)

SLEEP – The Sciences

Load the bong, roll the back-up joints, put FIFA 18 on the PlayStation, open a Pornhub tab and make sure there’s ice cream for the munchies in the fridge. All set! (7)

SPIDERS – Killer Machine

From Sweden but with a sound channeling Detroit punk through Sydney (MC5 / Radio Birdman), Spiders set themselves apart from the rest of their vintage-sounding compatriots as the true heirs to The Hellacopters’ throne. (8)


Probably the best TesseracT album to date musically, still not fond of the slick sissy vocals – when you’re grabbed by the throat with the a-la Fates Warning monster opening riff/groove of “Luminary”, the thin teenage Justin Timberlake voice that follows is a bit of a letdown. Nevertheless, for musicianship and songwriting: (7)

THE DAMNED – Evil Spirits

Dave Vanian & Captain Sensible still kicking it 40 years after their peers The Sex Pistols broke up and 36 years after the last good Clash record. “Evil Spirits” doesn’t sound very punk rock, it’s closer to their goth period with some 60’s garage psychedelia thrown in for good measure, but it’s competent and fun and produced by none other than Tony Visconti. (7)

THE WONDER YEARS – Sister Cities

A few years ago we might’ve called this emo or pop-punk. In 2018 I’ll just say that this is full of great rock songs and it’s the type of album a teenager can fall in unconditional love with and not be embarrassed about the fact 20 years down the road. (8)



“Produced by Dave Cobb” is a guarantee of top quality in country music today even though, as opposed to his more rootsy recent work with Chris Stapleton/Jason Isbell/Sturgill Simpson, Cobb takes Monroe the countrypolitan way with lush strings and smooth yacht-rocky orchestration. Songwriting and playing is top-notch all-around. (8)


The very definition of sophisticated urban pop music and a welcome return after a decade AWOL. (7)

JOSH T. PEARSON – The Straight Hits!

Lift To Experience mainman/cult hero shaves off the beard and tries to create a straight rock record. Thank God he fails miserably at making straight rock because the guy’s brain is wired in a way that can only come up with weird shit, and I love this weird shit. Fun fact: The album’s titled “The Straight Hits!” because all songs feature the word “Straight” in the title, except “The Dire Straits Of Love”. Get it? (8)

LAURA VEIRS – The Lookout

A singer/songwriter’s singer/songwriter, Veirs delivers a nice set of intimate songs (let’s call it “Americana” for lack of a better term) on her 10th solo album. Special guests include Jim James (My Morning Jacket) and Sufjan Stevens. (7)


Yet another Dave Cobb production – the guy’s becoming the Rick Rubin of Americana. But no big changes here, OCMS just keep on doing what they do best – play joyous old-time bluegrass music. (7)

If you like Lydia Loveless as much as I do, especially 2013-14 Lydia Loveless, then you’ll love Sarah Shook’s country-punk sound and “dangerous broad” attitude. (8)

SIMONE FELICE – The Projector

A stunning piece of work by one of the top lyricists around, a collection of haunting, dark songs that go head to head with Nick Cave’s best work and anything on Springsteen’s “Nebraska”. A revelation. (9)

THIEVERY CORPORATION – Treasures From the Temple

It’s a Thievery Corporation album, you know what it sounds like. (7)

TRAMPLED BY TURTLES – Life Is Good On The Open Road

A good month for bluegrass fans apparently – it’s not only the Old Crow Medicine Show who return with a new album, but also the Minnesota band with the best band name ever. (7)

VARIOUS ARTISTS – Johnny Cash: Forever Words

Based on Cash’s book “Forever Words”, his friends, relatives and fans put the Man In Black’s letters and poems to music of their own. Country stars Kacey Musgraves, Brad Paisley, Carlene Carter, Rosanne Cash etc. meet rockers like Chris Cornell, John Mellencamp and Elvis Costello. Touching. (7)

Sunday, 1 April 2018

Short Attention Span Record Reviews, April 2018


77 – Bright Gloom
Spanish (sorry, Catalan) AC/DC clones diversify into cloning other 70’s bands. (6)

GOZU – Equilibrium

If your record collection is arranged in alphabetical order, this will sit comfortably between Goatsnake and Gruntruck. (7)

GREYSTONE CANYON – While The Wheels Still Turn

These Aussies should decide where they want to go since the album’s a bit all over the place with evident traces of Maiden, prog-metal, Megadeth, AC/DC and Ozzy’s solo albums topped by southern rock vocals. But at least they can write good songs. (7)

MAUDLIN – Sassuma Arnaa

Most reviewers say that this is a combination of prog, psychedelia and doom in a silly attempt to avoid using the term “post-metal” but really, this is post-metal we’re talking about and pretty good one at that. RIYL Isis, Pelican, The Ocean etc. (7)

NAPALM DEATH – Coded Smears And More Uncommon Slurs

31 B-sides, outtakes, covers and rarities over two discs from the world’s most uncompromising extreme metal band’s last 14 years. (8)

PRIMORDIAL – Exile Amongst The Ruins

Some fans are complaining about “Exile…” but that’s because they really have short attention spans – the album’s a grower and a worthy addition to the discography of one of the greatest metal bands around. (8)


BETTYE LA VETTE – Things Have Changed

Legendary soul singer tackles a dozen Dylan songs and does a remarkable job of bringing them back to life, especially considering that half the originals are from Dylan’s crap 1979-89 period. (8)


For a few minutes in 2013 before Sturgill-Chris-Jason took over, Musgraves was the Savior of country music, even topping the Music Geek’s List for that year. This time she goes full-on crossover, sounding like Rumors-era Fleetwood Mac with a dash of Daft Punk robot disco-rock. Country purists will cringe, but “Golden Hour” is a minor pop triumph. (8)


Lindi’s not your typical country singer as she’s been known to share a stage with Social Distortion, and this is not your typical country release as it’s a cinematic concept album with a strong Ennio Morricone/Quentin Tarantino flavor. (💙) 

SLOAN – 12

Canadian critic darlings release their 12th power-pop gem that will be ignored by the general public, for the 12th time. (8)