Friday, 14 September 2018

Short Attention Span Record Reviews, Heavy Edition

Grunge by proxy, metalheads deep down, on new release that will keep the fanbase happy. (7)

ALKALINE TRIO – Is This Thing Cursed

Pop-punk veterans still in pretty good shape. (7)


One-man industrial metal band Author & Punisher and his handmade robot noisemakers return with yet another skull-crushing collection of Godflesh-meets-NIN tracks. (7)

CLUTCH – Book Of Bad Decisions

Textbook definition of what hard rock should sound like. A couple of songs too long though. (8)

ENUFF ZNUFF – Diamond Boy

Cult power-pop heroes erroneously marketed as glam metal back in the day provide another set of catchy Cheap Trick-esque ditties. Guitarist Chip also assumes vocal duties as singer Donnie is M.I.A. Not bad, but do yourself a favor and listen to their fantastic 1989-2003 albums. (7)

NASHVILLE PUSSY – Pleased To Eat You

It’s a Nashville Pussy album so what did you expect? Of course it’s about dope, guns, and fucking in the streets. (7)


Imagine someone drilling a hole in your cranium with a Black+Decker but instead of, say, a normal speed of 1000 RPM, this drill operates at 4 RPM. (666)

SATAN – Cruel Magic

A combination of great guitar work and piss-poor production gives this album an air of NWOBHM authenticity, not that they need it. Jump right in if you’re into old-school heavy metal. (7)

SUICIDAL TENDENCIES – Still Cyco Punk After All These Years

I wonder what Dave Lombardo’s salary is, if Mike Muir is using him as the only selling point for rehashing old material. (6)

SUMAC – Love In Shadow

Crushingly heavy yet strangely melodic this will certainly appeal to fans of previous bands these guys have been in, the most prominent of which was Isis. (8)

Thursday, 9 August 2018

10 Χρόνια Κομμάτια

Από εδώ ξεκίνησαν όλα.

Είμαστε οι πρώτοι κι ακολουθάνε αναστημένοι χίλιοι νεκροί / Νέοι καιροί ξημερώνουνε πάλι, να η φωτιά, να η ζωή

1977. Είμαι 9 ετών, η οικογένεια ετοιμάζεται να μεταναστεύσει, από τη Λευκωσία στο West Lafayette της Indiana. Ο πατέρας μου ζητάει από το δισκοπώλη της γωνίας να του γράψει σε κασέτες κάποιους δίσκους για να πάρει μαζί του στις ΗΠΑ, εγώ αναλαμβάνω να μεταφέρω τις παραγγελιές στο δισκοπώλη και να παραλάβω τις αντιγραμμένες κασέτες.

Ο μπαμπάς Ελληνικά ακούει αλλά δεν είναι του λαϊκού, μέχρι Ξαρχάκο φτάνει. Θυμάμαι εκείνες τις κασέτες: Σπανός με Αλέκα Κανελλίδου. Χατζηνάσιος με Μπέσυ-Πασχάλη-Ουίλλιαμς-Μαριάννα Τόλη (LP χτισμένο γύρω από το Γιουροβιζιονικό σουξέ "Μάθημα Σολφέζ"). Και το "10 Χρόνια Κομμάτια" του Διονύση Σαββόπουλου.

Στα γήπεδα η Ελλάδα αναστενάζει, στα καφενεία μπιλιάρδο, καλαμπούρι και χαρτί

Δύσκολες μέρες στις ΗΠΑ. Μόλις έχω αρχίσει να μαθαίνω Αγγλικά αλλά είμαι αναγκασμένος να πάω Δ' Δημοτικού σε Αγγλόφωνο σχολείο, μοναδικός non-native speaker στην τάξη. Στο διάλειμμα τα παιδιά παίζουν softball και american football που δεν ξέρω ούτε καν τους κανόνες, όχι ποδόσφαιρο ή μακριά γαϊδούρα. Όλοι οι συμμαθητές μου έχουν έγχρωμη τηλεόραση εκτός από εμένα, εμείς μόνο μια μικρή ασπρόμαυρη μπορούσαμε να πάρουμε. Bullying. Όλα μου φαίνονται ξένα κι εχθρικά, κάθε μέρα γυρνάω από το σχολείο και αποσύρομαι μπροστά σε ένα φτηνό κασετόφωνο, δική μου μουσική δεν έχω ακόμα αλλά οι Ελληνικές κασέτες του μπαμπά είναι η διέξοδός μου, μια χωροχρονική σκουλικότρυπα που με γυρίζει μερικούς μήνες πίσω σε ένα μέρος πιο γνώριμο και ζεστό, πιο ασφαλές. Αγαπημένη μου από όλες, αυτή του Σαββόπουλου.

Η ζωή μου έχει γεμίσει μυστικά, στους διαδρόμους ψευδομάρτυρες καπνίζουν / Και οι φίλοι με κερνούν ναρκωτικά, και το κόμμα με τραβάει απ' το μανίκι.

Μεγαλώνοντας στην Κύπρο χούντα δεν έζησα, και ειδικά στην ηλικία των 9 είναι φυσικά αδύνατο να συλλάβω τα βαθύτερα πολιτικά νοήματα μέσα σε αυτά τα τραγούδια, ή να καταλάβω σε τι στο διάολο αναφέρεται ο Σαββόπουλος στα μικρά λογύδρια ανάμεσα στα τραγούδια όταν μιλάει για τη συγκέντρωση της ΕΦΕΕ ή για νεκροζώντανους στο Κύτταρο και σκηνές ροκ. Ξέρω όμως ότι αυτά τα τραγούδια είναι πολύ διαφορετικά από ο,τιδήποτε άλλο στη μικρή δισκοθήκη του πατέρα μου στο West Lafayette, αναγνωρίζω ότι έχουν βάθος και μιλούν για πράγματα ΣΗΜΑΝΤΙΚΑ (κι ας μην έχω ιδέα ποια είναι αυτά) και δεν μπορώ να σταματήσω να τα ακούω.

Επί δώδεκα μήνες το '77-'78 πρέπει να άκουσα το "10 Χρόνια Κομμάτια" γύρω στις 500 φορές, κάθε μέρα, κάποιες μέρες δυο και τρεις φορές. Ο Σαββόπουλος ήταν ο φάρος και το σωσίβιό μου το 1977, ο Σαββόπουλος με έκανε να αγαπήσω τη μουσική, ήταν η πρώτη μου επαφή με το ροκ όχι μόνο ως ήχο αλλά και ως φιλοσοφία. Ο Σαββόπουλος μου άλλαξε τη ζωή. Ίσως και να μου την έσωσε.

Friday, 3 August 2018

Short Attention Span Record Reviews, Summer Holiday Edition

Long before becoming Jason Isbell’s wife, muse and savior, Shires was already an established musician in her own right and this is probably her most inspired solo album. Isbell holds a supporting role playing guitar and uber-producer Dave Cobb plays the bass but this is definitely a rock band Shires leads here, not a country band. (8)

Daron tries really hard but without you-know-who this ends up sounding like a somewhat incomplete version of the “Hypnotize/Mesmerize” SOAD follow-up that never was. (7)

Country rock troubadour delivers an album decidedly more subdued than his previous couple of releases, chock-full of wonderful melodies and introspective lyrics. Americana fans please take note. (7)

LUCERO – Among The Ghosts
The diversity of artists bunched up under the “Americana” label is so vast that’s it’s impossible to define the genre, so let’s just say that this falls more towards the Tom Petty end of the spectrum rather than the Alison Krauss one. (7)

Soundtrack for Netflix adaptation of a Stephen King novella. Haven’t read the story or seen the movie, but the music sounds like John Carpenter fucking Angelo Badalamenti in the ass. (7)

Progressive bluegrass (prograss? Avant grass? Post-grass?). Strange band, strange album, sometimes beautiful but also a bit cold and distant in its acoustic string instrument virtuosity. (7)

SCREAMING JETS – Gotcha Covered
The world’s third best band with a name starting with the word “Screaming” covers other Aussie bands (Easybeats, Radiators, Men At Work, Hoodoo Gurus, Radio Birdman, Angels, INXS, Dragon, AC/DC of course…) and provides ultimate proof that Aussie rock is the world’s third best rock. (8)

Rocking like a harder-edged Black Keys and occasionally venturing into Foghat/Five Horse Johnson boogie territory with some monster slide guitar, these guys will certainly shake your booty. (8)

ULTRAPHONIX – Original Human Music
Soulful, bluesy hard rock by the unlikely combination of George Lynch (Dokken) and Corey Glover (Living Colour) plus a kick-ass rhythm section. (7)

WILLIE NILE – Children Of Paradise
Can’t believe this guy just turned 70, he sounds like a young Joe Strummer doing a “Born To Run”-era Springsteen impression. This is truly a kick-ass album, probably the best batch of pure rock ‘n’ roll songs you’ll hear all year, definitely the best soundtrack to your summer holiday. (9)

Friday, 13 July 2018

Short Attention Span Record Reviews, July 2018


CONVERGE – Beautiful Ruin

Surprise EP, 4 songs, 7 minutes. Obviously left off the band’s last album for being much punkier and not fitting that tracklisting. It will melt your face off. (7)

DEAFHEAVEN – Ordinary Corrupt Human Love

You can talk about “hipster metal” all you want but it doesn’t change the fact that this is a fuckin’ monster of an album, emotionally reaching deep and hitting home in so many different ways. Perhaps even better than “Sunbather” – don’t even bother with the “yes but is it metal?” debate, just open your ears and LISTEN for a change. (9)

FATES WARNING – Live Over Europe

Half this blog’s readers are metalheads, for a minute there I felt the need to justify this album’s score for the other half’s benefit but decided not to. (10)


This time around Gaz Jennings (Cathedral) has been replaced by Johanna Sadonis’s beau, Nicke Andersson, so naturally the sound on “II” doesn’t just rock like on the debut, it rolls too. (8)

THE NIGHT FLIGHT ORCHESTRA – Sometimes The World Ain’t Enough

Less guitars, more keyboards, a touch of disco this time around. The songwriting remains top-notch and you’re unlikely to hear a better AOR record this year, but I prefer the previous, harder-edged albums. (7)



Wow. Essentially a jazz combo but one that instills its bebop with southern roots rock brings respected singer/songwriter along for the ride. This is beautiful. (8)

COWBOY JUNKIES – All That Reckoning

A band responsible for a whole genre – Americana was born when the Cowboy Junkies decided to take country music’s roots and kick ’em in the butt by throwing some Leonard Cohen and Velvet Underground into the mix. And 30 years down the road, they release one of their best albums. (8)

JIM JAMES – Uniform Distortion

Solo album by My Morning Jacket mainman is a straightforward rock ‘n’ roll affair, the fuzzy way Neil Young goes straightforward rock ‘n’ roll sometimes. (7)


Bonus EP hidden in the center gatefold of physical vinyl copies of last month’s release “Heaven And Earth”, now available on streaming services as well. Same maximalistic approach to jazz, plus a lovely cover of “Will You Still Love Me Tomorrow”. (8)


Kinky’s certainly an interesting character and a very funny guy. He’s also a competent songwriter, if you’re into the Willie Nelson School of country music. (7)

THE END – Svårmod Och Vemod Är Värdesinnen

Definitely uneasy listening, this is a noise/jazz/rock hybrid featuring two baritone saxophones and avant-garde singer Sofia Jernberg. If John Zorn had married Diamanda Galas, the band formed by their kids would probably sound something like this. (7)

Saturday, 23 June 2018

Short Attention Span Record Reviews, June 2018 Part II

BEYONCE & JAY-Z (THE CARTERS) – Everything Is Love
The surprise album drop thing is getting a bit tired and so is their idea of turning their marriage into a reality show and mending it publicly through their albums: Beyonce’s “Lemonade” accusation was great, Jay-Z’s “4:44” apology was OK, but third time around I’ve got very few fucks left to give about this “we’re fine now” joint effort. (6)

DEATH GRIPS – Year Of The Snitch

This is Death Grips’ “Kid A”, too weird for me. (6)

FANTASTIC NEGRITO – Please Don’t Be Dead

From the Led Zep-infused “Plastic Hamburgers” to the “Come Together”-isms of “Bad Guy Necessity”, from “A Boy Named Andrew”’s exotic hook to the chilling “A Cold November Street” and the funky “Bullshit Anthem”, this guy’s singlehandedly dragging the blues kicking and screaming into the 21st century. (8)

HERE LIES MAN – You Will Know Nothing

Afrobeat meets superfuzzed, bigmuffed proto-metal. (7)

HOWLIN’ RAIN – The Alligator Bride

Bandleader Ethan Miller has described this album as “Neil Cassady rock” and I say he’s spot on. RYIL Ethan Johns and Ethan Hawke. (8)


I don’t know much about jazz but I know what sounds good, and this sounds GREAT. More than a jazz saxophonist, Washington is a genius arranger/bandleader who’s not afraid to venture into Stevie Wonder/Isaac Hayes soul/pop territory as he’s more about solid songwriting rather than just technical dexterity. (8)

KHEMMIS – Desolation

The yin to Pallbearer’s yang in leading the U.S. doom metal resurgence, these guys go full-on Epic (with a capital “E”) metal on their third album. Great guitars, much improved clean vocals, highly recommended. (8)


Most likely it’s an existential thing but somehow I can never give Trent Reznor anything less than a (7)

ORANGE GOBLIN – The Wolf Bites Back

Not sure why they’re still stuck with the “stoner” label (which they seem to be perfectly happy with, BTW) since, really, these are the children of Motorhead. (7)

WILKO JOHNSON – Blow Your Mind

Wilko didn’t die, he’s back to kick some ass and he sounds VERY alive. His guitar playing remains awesome, his band is rockin’, too bad he can’t really sing so minus one point. (7)

Friday, 8 June 2018

Short Attention Span Record Reviews, June 2018


GHOST – Prequelle

It’s so refreshing to find a metal musician with a brain inside his head that I want to give him a 10 just for that, let alone the tunes being catchier than the Black Plague he sings about. (9)


If this album is any indication there was no reason for the band’s break-up, they just seem to have picked it up from where they had left it, only the drummer’s different. Apart from that, it’s the same competent retro pseudo-70’s boogie/garage rock. (7)


Devoutly Christian black metal (!?) with epic undertones sounds surprisingly better than expected, sort of like a cross between Arcturus and Bathory. (7)

REFUSED – Servants Of Death

2016 Record Store Day EP from an all-time great punk band now available to all on streaming services. Includes live tracks and a rare B-side. (8)

YOB – Our Raw Heart

Skull-crushing doom metal, dense, cathartic. (8)

ZEAL & ARDOR – Stranger Fruit

When the debut came out in 2016 we expressed the opinion that if he skipped the DIY and got a real drummer he’d be capable of greatness. So he went out and hired Kurt Ballou and a real drummer and he came up with greatness, not straying from his unique satanic black metal/gospel mash-up style but more, well, satanic. (8)


COLIN STETSON – Hereditary (Original Motion Picture Soundtrack)
Scary sounds for this year’s scariest movie. (8)

FATHER JOHN MISTY – God’s Favorite Customer

Officially released more than a month after being leaked, this still sounds pretty great a month later and it's a lot poppier than his previous one. Play it for the songs, not for the hype. (8)

JOHN PARISH – Bird Dog Dante

Adventurous guitarist, producer extraordinaire and long-time PJ Harvey collaborator returns with first solo album in a very long time. Polly Jean guests of course, and so does Aldous Harding. Very different from PJ’s own stuff but somehow appealing to the same ears. (7)


He’s lost it. Let’s hope he gets it back. (6)

LUMP – Lump

Beloved indie-folk star Laura Marling partners with producer Mike Lindsay for a series of dreamlike improvisations. Nice. (7)

NATALIE PRASS – The Future And The Past

On her better 2015 debut she sounded like she wanted to be the indie-rock Dusty Springfield, this time around she sounds like she wants to be the indie-rock Grace Jones doing theme songs for Disney soundtracks or something. (6)


Case is very different from every other female singer-songwriter out there and cannot be compared to anyone else. It’s not “Americana”, it’s not rock, it’s not country or folk, I really don’t know how to label this but I know these songs go deep and demand multiple listens. Mark Lanegan, k.d. lang and a whole bunch of others guest. (7)

THE LAST POETS – Understand What Black Is

Forefathers of rap return 50 years after the group’s inception and 21 years since their last studio album, and they’ve got plenty to say on this spoken word/reggae/jazz hybrid. (7)

VARIOUS ARTISTS – Late Night Tales: Agnes Obel

I love this artist-curated compilation series, and Obel’s “mixtape” is among the most eclectic of the bunch with tracks by Henry Mancini, Lee Hazlewood, Yello, Lena Platonos, Ray Davies, Can etc. blending seamlessly into a beautiful collection of music. (8)

Friday, 18 May 2018

Short Attention Span Record Reviews, May 2018 Vol. II

AMENT – Heaven / Hell
Pearl Jam bassist releases solo album, and this sounds EXACTLY like what you’d expect a solo album by a prominent Seattle grunge figure now in his 50’s to sound like. (7)

ARCTIC MONKEYS – Tranquility Base Hotel & Casino

“Tranquility Base” is the name of the spot on the Moon where the Apollo 11 landed in 1969. This album sounds just about as lively as a Hotel & Casino located there. (5)

AT THE GATES – To Drink From The Night Itself

A much stronger album than 2014’s “At War With Reality”, this is At The Gates REALLY showing their metalcore offspring how to do the brutal/melodic thing right. (8)

BEACH SLANG – Everything Matters But No One Is Listening

Both proper Beach Slang albums have made the Music Geek’s indisputably awesome year-end Lists in 2015 and 2016 respectively, so I guess that makes me a mega-fan. This collection of acoustic re-workings of older songs, however, heavily reliant on piano and cello and released under the moniker Quiet Slang, is interesting but sort of defeats the purpose by getting rid of the loud guitars and punk energy that made the band so great in the first place. (6)


This is basically Lamb Of God revisiting their roots and releasing their own “Undisputed Attitude”. Includes covers of songs originally recorded by The Accused, Melvins, Big Black, S.O.D., Bad Brains, Sliang Laos, Ministry, Agnostic Front, Quicksand and Cro-Mags. If you’re a fan, you need this. (8)


Bozulich must be a very unhappy person, she’s been making some rather disturbing music since the Geraldine Fibbers days but this one reaches misery levels on par with Lou Reed’s “Berlin”. (6)

GRETCHEN PETERS – Dancing With The Beast

Peters releases one of the best country albums of the year: Top-notch songwriting, killer storytelling, subtle rock overtones, this is on par with Kris Kristofferson’s best work and anything Jason Isbell has released in the last five years. (8)


Sort of like Patti Smith being in love and doing a Dusty Springfield tribute. (7)


Not sure if it’s cool to like McKennitt and her somewhat cheesy new age Celtic folk but I do, she always manages to melt the cynicism away from my cold black heart. (8)

RY COODER – The Prodigal Son

Now in his 70’s and better known as producer of the Buena Vista Social Club and for his soundtrack work (e.g. “Paris, Texas”), Cooder here proves that he’s still one of the world’s top slide guitarists, delivering an excellent blues/gospel record with a strong political message. (8)

Saturday, 5 May 2018

Short Attention Span Record Reviews, May 2018

DYLAN CARLSON – Conquistador
Evoking cinematic images of tumbleweeds blowing across the desert and scorpions silently crawling out of dead coyote skulls, this not only fits neatly into the Earth/Carlson canon but is, simply put, epic! (8)


Fact: The album took its title from a goth club in Athens that apparently left an impression on Friedberger. I haven’t been to Rebound in almost 30 years because I always felt miserable in there (but maybe that’s the whole point of goth clubs), the problem is I didn’t have much of a better time listening to this album. (6)

FATHER JOHN MISTY – God’s Favorite Customer

The hipster’s hipster decided that he wants to be Elton John. That’s not a bad thing. Leaked a month ahead of the release date, we might have to revisit this one. (8)


Turner’s most accessible production and a bunch of great songs oscillating between the political and the personal, sometimes poppy, sometimes punky, sometimes folky. I really love this guy. (8)


Prog rock with a black metal heart and a healthy sprinkling of Carpenteresque synthesizers. (8)

JANELLE MONAE – Dirty Computer

The true heir to Prince’s throne as the most prominent figure in Afro-futuristic sex funk is a woman. Features special guests from the mythical (Brian Wilson) to the super-popular (Pharrell Williams). (8)

LOVE – Forever Changes (50th Anniversary Edition)

PARKER MILLSAP – Other Arrangements

4th album by baby-faced Oklahoman with gruffy tenor voice and solid guitar chops, this one rocks a bit harder than his previous albums. RYIL either Johnny Cougar or John Mellencamp. (7)

RIOT V – Armor Of Light

I love heavy metal and Riot has always been one of my favorite heavy metal bands but going on without Mark Reale just doesn’t feel right, the production work on the constant in-your-face double-bass drumming here gets annoying after a while, and releasing the “Thundersteel” album with a different title for the fourth time doesn’t help things either. (6)

WILLIE NELSON – Last Man Standing

Yes he is, he’s 86 and this is his 67th studio album, it’s bittersweet and funny and an all-around great country record mostly about death, but actually he’s never sounded more alive than he does here. (8)

Sunday, 22 April 2018

Short Attention Span Record Reviews April 2018 Vol. II


A PERFECT CIRCLE – Eat The Elephant

Third release 14 years after the second one marks a stylistic change, with the piano and keyboards being much more prominent on a solid prog album. The vocals act as methadone for all the Tool junkies who’ll wait another 10,000 days for an album by Keenan’s main band. (7)


This time they go full-on southern rock, channeling everyone from the Allman Brothers to the Black Crowes to the Georgia Satellites. (7)

MELVINS – Pinkus Abortion Technician

The grunge/sludge weirdos keep it fresh with another line-up twist – two bass players this time around, adding Jeff Pinkus from the Butthole Surfers to the mix. They also cover a couple of Surfers tunes on this one, hence the album title, and play a few originals as well, but what they’ve done to The Beatles’ “I Want To Hold Your Hand” is the top reason to listen to this. (7)

MUSTASCH – Silent Killer

People call them “stoner”. Dunno, this sounds like straight-up HEAVY METAL to me. (7)

SLEEP – The Sciences

Load the bong, roll the back-up joints, put FIFA 18 on the PlayStation, open a Pornhub tab and make sure there’s ice cream for the munchies in the fridge. All set! (7)

SPIDERS – Killer Machine

From Sweden but with a sound channeling Detroit punk through Sydney (MC5 / Radio Birdman), Spiders set themselves apart from the rest of their vintage-sounding compatriots as the true heirs to The Hellacopters’ throne. (8)


Probably the best TesseracT album to date musically, still not fond of the slick sissy vocals – when you’re grabbed by the throat with the a-la Fates Warning monster opening riff/groove of “Luminary”, the thin teenage Justin Timberlake voice that follows is a bit of a letdown. Nevertheless, for musicianship and songwriting: (7)

THE DAMNED – Evil Spirits

Dave Vanian & Captain Sensible still kicking it 40 years after their peers The Sex Pistols broke up and 36 years after the last good Clash record. “Evil Spirits” doesn’t sound very punk rock, it’s closer to their goth period with some 60’s garage psychedelia thrown in for good measure, but it’s competent and fun and produced by none other than Tony Visconti. (7)

THE WONDER YEARS – Sister Cities

A few years ago we might’ve called this emo or pop-punk. In 2018 I’ll just say that this is full of great rock songs and it’s the type of album a teenager can fall in unconditional love with and not be embarrassed about the fact 20 years down the road. (8)



“Produced by Dave Cobb” is a guarantee of top quality in country music today even though, as opposed to his more rootsy recent work with Chris Stapleton/Jason Isbell/Sturgill Simpson, Cobb takes Monroe the countrypolitan way with lush strings and smooth yacht-rocky orchestration. Songwriting and playing is top-notch all-around. (8)


The very definition of sophisticated urban pop music and a welcome return after a decade AWOL. (7)

JOSH T. PEARSON – The Straight Hits!

Lift To Experience mainman/cult hero shaves off the beard and tries to create a straight rock record. Thank God he fails miserably at making straight rock because the guy’s brain is wired in a way that can only come up with weird shit, and I love this weird shit. Fun fact: The album’s titled “The Straight Hits!” because all songs feature the word “Straight” in the title, except “The Dire Straits Of Love”. Get it? (8)

LAURA VEIRS – The Lookout

A singer/songwriter’s singer/songwriter, Veirs delivers a nice set of intimate songs (let’s call it “Americana” for lack of a better term) on her 10th solo album. Special guests include Jim James (My Morning Jacket) and Sufjan Stevens. (7)


Yet another Dave Cobb production – the guy’s becoming the Rick Rubin of Americana. But no big changes here, OCMS just keep on doing what they do best – play joyous old-time bluegrass music. (7)

If you like Lydia Loveless as much as I do, especially 2013-14 Lydia Loveless, then you’ll love Sarah Shook’s country-punk sound and “dangerous broad” attitude. (8)

SIMONE FELICE – The Projector

A stunning piece of work by one of the top lyricists around, a collection of haunting, dark songs that go head to head with Nick Cave’s best work and anything on Springsteen’s “Nebraska”. A revelation. (9)

THIEVERY CORPORATION – Treasures From the Temple

It’s a Thievery Corporation album, you know what it sounds like. (7)

TRAMPLED BY TURTLES – Life Is Good On The Open Road

A good month for bluegrass fans apparently – it’s not only the Old Crow Medicine Show who return with a new album, but also the Minnesota band with the best band name ever. (7)

VARIOUS ARTISTS – Johnny Cash: Forever Words

Based on Cash’s book “Forever Words”, his friends, relatives and fans put the Man In Black’s letters and poems to music of their own. Country stars Kacey Musgraves, Brad Paisley, Carlene Carter, Rosanne Cash etc. meet rockers like Chris Cornell, John Mellencamp and Elvis Costello. Touching. (7)

Sunday, 1 April 2018

Short Attention Span Record Reviews, April 2018


77 – Bright Gloom
Spanish (sorry, Catalan) AC/DC clones diversify into cloning other 70’s bands. (6)

GOZU – Equilibrium

If your record collection is arranged in alphabetical order, this will sit comfortably between Goatsnake and Gruntruck. (7)

GREYSTONE CANYON – While The Wheels Still Turn

These Aussies should decide where they want to go since the album’s a bit all over the place with evident traces of Maiden, prog-metal, Megadeth, AC/DC and Ozzy’s solo albums topped by southern rock vocals. But at least they can write good songs. (7)

MAUDLIN – Sassuma Arnaa

Most reviewers say that this is a combination of prog, psychedelia and doom in a silly attempt to avoid using the term “post-metal” but really, this is post-metal we’re talking about and pretty good one at that. RIYL Isis, Pelican, The Ocean etc. (7)

NAPALM DEATH – Coded Smears And More Uncommon Slurs

31 B-sides, outtakes, covers and rarities over two discs from the world’s most uncompromising extreme metal band’s last 14 years. (8)

PRIMORDIAL – Exile Amongst The Ruins

Some fans are complaining about “Exile…” but that’s because they really have short attention spans – the album’s a grower and a worthy addition to the discography of one of the greatest metal bands around. (8)


BETTYE LA VETTE – Things Have Changed

Legendary soul singer tackles a dozen Dylan songs and does a remarkable job of bringing them back to life, especially considering that half the originals are from Dylan’s crap 1979-89 period. (8)


For a few minutes in 2013 before Sturgill-Chris-Jason took over, Musgraves was the Savior of country music, even topping the Music Geek’s List for that year. This time she goes full-on crossover, sounding like Rumors-era Fleetwood Mac with a dash of Daft Punk robot disco-rock. Country purists will cringe, but “Golden Hour” is a minor pop triumph. (8)


Lindi’s not your typical country singer as she’s been known to share a stage with Social Distortion, and this is not your typical country release as it’s a cinematic concept album with a strong Ennio Morricone/Quentin Tarantino flavor. (💙) 

SLOAN – 12

Canadian critic darlings release their 12th power-pop gem that will be ignored by the general public, for the 12th time. (8)

Friday, 23 March 2018

Short Attention Span Record Reviews, March 2018 Vol. II

CREEP SHOW – Mr. Dynamite
Experimental electronic music supergroup featuring John Grant and Cabaret Voltaire’s Stephen Mallinder among others just have some fun in the studio, end up sounding like Yello doing a Kraftwerk tribute. (6)

DAVID BYRNE – American Utopia

An OK album by someone who has previously been responsible for creating masterpieces is not OK. (6)

JACK WHITE – Boarding House Reach

This guy usually knows what he’s doing but this time WTF? Ambitious but messy, maximalistic in an everything-plus-the-kitchen-sink way, sometimes venturing into R&B, this is the sound of White finally biting off more than he can chew. (6)


Bassist/singer/rapper Ndegeocello has been credited with giving birth to the neo-soul genre with her excellent, sexy 90’s debut “Plantation Lullabies”. On her fantastic 12th album she uniquely re-imagines soul and funk radio hits from 1982-95 by Prince, TLC, George Clinton, Janet Jackson, Tina Turner, Sade etc., giving them a new breath of life. (8)


Look. You know me, Monster Magnet is one of my favorite bands of all time. I’ve repeatedly stated that Monster Magnet albums are like blowjobs (even bad ones are pretty good) and that I can never be objective about this band. (11)


Somewhere between a male Sharon Jones with less religion and a good Van Morrison karaoke. (7)

RYLEY WALKER – Deafman Glance

This album won’t be officially released before May but trust me, when it does, you’re gonna see a whole bunch of five-star reviews from all the media that matter – Walker transforms from acoustic folk guy to electropsychedelic weirdo and totally pulls it off. (8)

SQUIRREL NUT ZIPPERS – Beasts of Burgundy

My man Jimbo Mathus does it again, putting his old band back together – SNZ revive old-time swing/jazz with a punk rock attitude. You cannot not dance to this. (8)


Great EP featuring alternate versions, re-recordings of Cyco Miko songs, some new stuff, a Stooges cover and Dave Lombardo on the drums. (8)

THE FRATELLIS – In Your Own Sweet Time

The Music Geek has a soft spot for the Fratellis’ brand of shiny happy pop-rock and this is a welcome addition to their catalogue. RIYL the theme song to “Friends”. (7)

THE SWORD – Used Future

If you’re a fan of “Technical Ecstasy”/”Never Say Die”-era Sabbath you’ll love this. But of all Sabbath eras, why the fuck are you a fan of the “Technical Ecstasy”/”Never Say Die” era? (7)

Wednesday, 7 March 2018

Short Attention Span Record Reviews, March 2018



Just can’t make up my mind about these guys – I really like the albums when they come out, but then never play them again after about a week of repeated listens and don’t remember a single note and I’m pretty sure this is exactly what's going to happen with this one as well. But it’s not them, it’s me – if you don’t mind the occasional brutal vocal with your prog metal, you should definitely check it out. (7)

CARPENTER BRUT – Leather Teeth

The metal parts are OK but the drum machine and lack of dynamics (everything’s on 11, all the time) make them sound like a demo. Then you’ve got the bad Depeche Mode parts, and I hate even good Depeche Mode. (6)

CRIPPLED BLACK PHOENIX – Horrific Honorifics

Band led by ex-Iron Monkey multi-instrumentalist Justin Greaves release mini-album featuring a NoMeansNo cover. In addition to having great taste in covers and despite being called everything from prog to neo-psychedelia but mainly post-rock, to my ears they sound mostly like a modern-day version of the mighty and sorely missed The God Machine. (8)

JUDAS PRIEST – Firepower

Only the 10th best Judas Priest album but still their best in 27 years AND the best heavy metal release of 2018 to date. (8)

OCEANS OF SLUMBER – The Banished Heart

More gothic metal than progressive metal this time around. Not an easy one, it takes a few listens to get into, but it’s actually pretty good and the lady can really sing. (7)

PAINTED DOLL – Painted Doll

Power-pop/psychedelic-lite project featuring a death metal drummer (Chris Reifert). Very pleasant to listen to but a bit derivative – one song sounds like “(Don’t Fear) the Reaper” which sounds like The Byrds, another sounds like “Love”-era The Cult which sound like a post-punk version of The Byrds, another sounds like the Kinks which sound nothing like The Byrds but still. (7)


Great songs, great lyrics, great production, best punk rock album of the year so far. (8)

SOLSTICE – White Horse Hill

True metalheads have waited 20 years for this album, and true metalheads will understand. Non-metalheads will be left scratching their non-metal heads. (8)

THE BELLRAYS – Punk Funk Rock Soul, Vol. 2

I’m a big BellRays fan and I still think they’re one of the best live bands in the world but I have to admit that ever since guitarist/songwriter Tony Fate dropped out, their recorded output has lost some of the Punk. (7)



Savage, primitive garage rock ‘n’ soul from the best live band to come out of Boston since the J. Geils Band. More punk than the latest BellRays, actually. (8)

CHRIS CONNELLY – The Tide Stripped Bare

I have a confession to make: Sometime around 1992 I wanted to be Chris Connelly, at the time when he was a prominent figure in industrial circles. I got over it. This sounds like Connelly himself never got over wanting to be David Bowie. (7)

HALEY HEYNDERICKX – I Need to Start a Garden

A stunningly beautiful, mostly acoustic debut album by this singer/songwriter/guitarist from the Pacific Northwest. No idea if this is her real name or a tribute to Jimi but her playing really does sound like Hendrix if he was a female folkie without the Marshalls, while the vocals are reminiscent of Sharon Van Etten. (8)


A great Tuareg desert blues band, like a funkier version of Tinariwen. (8)

J.D. WILKES – Fire Dream

Legendary Shack Shakers leader releases excellent solo album with a strong “Rain Dogs”-era Tom Waits influence. My man Jimbo Mathus co-produces. (8)


Canadian singer-songwriter explores her Creole/Haitian roots and comes up with a serious candidate for world music/pop crossover album of the year. (8)

THE HANGING STARS – Songs For Somewhere Else

It’s a bunch of Englishmen playing Americana, what do you call this, Britaniana? In 2018 they sound like they came from 1968. (7)

TITUS ANDRONICUS – A Productive Cough

2015’s “The Most Lamentable Tragedy”, a punk rock opera about bipolar disorder, was a masterpiece and made that year’s List. Βut this one’s a misstep – it’s fine to outgrow punk rock, but it’s not fine if you end up sounding like a Bob Dylan cover band consisting of drunken fratboys. (6)

Friday, 16 February 2018

Short Attention Span Record Reviews February 2018, Vol. II

As I’ve previously said, born with a name like that the poor girl had no option but to become a goth. (7)

BRIAN FALLON – Sleepwalkers

Started out with The Gaslight Anthem as a strong Springsteen wannabe, seems to have lost his mojo somewhere along the way. (6)


Folk musician that feels much more suited to tour with Earth or Grails rather than with Joan Baez or Fleet Foxes. (8)

DWARVES – Take Back The Night

17 songs in 25 minutes evenly split between So-Cal melodic pop-punk anthems sung by Blag Dahlia and hardcore splatterfests screamed by Rex Everything (AKA Nick Oliveri). (8)

EZRA FURMAN – Transangelic Exodus

A gay Springsteen just created the queer “Born To Run”. (8)

GIANTS IN THE TREES – Giants In The Trees

Krist Novoselic’s new band sounds interesting, a post-grunge Americana amalgam of folk, indie rock and psychedelia with multi-layered sounds supporting Jillian Raye’s unique vocals. Produced by Jack Endino. (7)

HC McENTIRE – Lionheart

Lesbian punk assisted by friends like the legendary riot grrrl Kathleen Hanna (Bikini Kill) releases this year’s best country record to date. (8)

JOAN AS POLICE WOMAN – Damned Devotion Read

If you think you’d enjoy the female version of a Prince/Leonard Cohen hybrid then you should definitely check this out. (7)


He’s a millionaire married to Jessica Biel, does it really matter what you or I think of his new album? (6)

KYLE CRAFT – Full Circle Nightmare

His debut album made the List in 2016, and this is a strong follow-up in the same “Redneck Ziggy” style. But if he really wants to be Bowie then he needs to come up with something else next time. (8)

LEGEND OF THE SEAGULLMEN – Legend Of The Seagullmen

Really fun nautically-themed concept album by heavy metal supergroup featuring Brett Hinds (Mastodon) and Danny Carey (Tool) among others, sounds like a cross between King Diamond (but with listenable vocals) and Primus (but with listenable vocals). (8)

THE SWORD – Used Future

If you’re a fan of “Technical Ecstasy”/”Never Say Die”-era Sabbath you’ll love this. But of all Sabbath eras, why the fuck are you a fan of the “Technical Ecstasy”/”Never Say Die” era? (7)

VARIOUS ARTISTS – Black Panther: The Album

Impressive hip-hop collection curated by and heavily featuring Kendrick Lamar plus a bunch of guests (SZA, Vince Staples, Anderson Paak, James Blake, the Weeknd etc.). Stands alone without the movie just fine. (8)

VARIOUS ARTISTS – Boom-A-Lay & Chug-A-Lug: Exotic Blues & Rhythm, Vol. 7 & 8

The “Exotic Blues & Rhythm” series was originally issued on 10” vinyl and it’s out for the first time on CD, a crazy collection of tittyshakers from the late 50’s/early 60’s. Put this on = instant party! (10)

VARIOUS ARTISTS – Northern Soul: The Ultimate Collection

Fantastic 5-CD Northern Soul compilation, if you need more stuff for that instant party we were just talking about. (9)

Sunday, 28 January 2018

Short Attention Span Record Reviews, February 2018


CANE HILL – Too Far Gone

Nu Wave Of American Nu Metal for fans of Slipknot & Korn. Funny how people who hated nu metal back in the day now think Cane Hill is da shit. (7)

FIRE! – The Hands

An interesting spin on the power trio format with sax instead of guitar, combining the metallic heaviness of Black Sabbath with Albert Ayler-like free jazz skronk. (8)

MACHINE HEAD – Catharsis

It’s not as bad as you’ve been led to believe but, speaking of nu metal – what the fuck was Robb Flynn thinking? (7)

MAGICK TOUCH – Blades Chains Whips & Fire

With THIS name, THIS album title and THIS album cover you’d be forgiven for passing on this as either run-of-the-mill epic metal or occult bullshit rock, but in reality you’d be missing out on some pretty decent retro-melodic hard rock a-la Night Flight Orchestra, Audrey Horne and Dokken. (7)

PHILIP H. ANSELMO & THE ILLEGALS –Choosing Mental Illness as a Virtue

Pantera meets Morbid Angel meets the Dillinger Escape Plan in terms of heaviness, but not quite in terms of songwriting skills. (7)


You might’ve heard of Duff McKagan from his other band and the rhythm section (also featuring ex-Screaming Tree Barrett Martin) is a major selling point for this Jack Endino-produced Seattle quartet that plays 70’s melodic hard rock as reimagined in the 90’s. (7)

VARIOUS ARTISTS – Dr. Demento Covered In Punk

Really fun compilation tribute to Dr. Demento, featuring lots of punk rock and lots of comedy. Highlights include William Shatner covering The Cramps, “Weird” Al Yankovic covering The Ramones, and Brak covering The Suicidal Tendencies. Good for the moshpit, even better for laughs. (9)


CALEXICO – The Thread That Keeps Us

Louder and less polished than their previous albums and not as catchy, this is Calexico going full-on “indie rock”. (7)


They were nothing special back when they were a pop-punk/emo band, but incorporating EDM elements into their sound just makes them annoying. (5)


Avoided these sisters to date because “Swedish Americana” sounds almost as unappealing a genre as “Chinese Rebetika” but turns out they’re pretty good, combining top-notch songwriting with telepathically perfect harmony singing. (8)


Electronic music veterans strike a good balance between abstract ambient soundscapes and heavy beats. (7)

STICK IN THE WHEEL – Follow Them True

Exciting new band that will singlehandedly revitalize the UK folk scene. Not all their experiments work, for example I could live without the Auto-Tuned vocals on the title track, but by the time the haunting “As I Roved Out” closes the album all is forgiven. (8)

TY SEGALL – Freedom's Goblin

The first truly great album of 2018 – Segall takes garage rock to new anthemic levels, often throwing a brass section on top of the guitar fuzz for 75 minutes of pure, unadulterated, messy rawk ‘n’ roll fun. (9)

Monday, 15 January 2018

Short Attention Span Record Reviews, January 2018

3-song EP, quite possibly “In•ter a•li•a” leftovers but still pretty good. (7)


With nods to Deep Purple added to the Thin Lizzy references this time around, Audrey Horne continue on their 70’s hard rock worshipping path. Fun, but I still prefer the Night Flight Orchestra. (7)

CHEAP TRICK – Christmas Christmas

This came to our attention after the holidays but we’ll keep it in mind for next year’s festivities – we certainly prefer listening to Cheap Trick covering Christmas songs by Wizzard, Slade, Ramones and the Kinks rather than the elevator muzak blasting from everywhere during the season. (7)


Pepper Keenan’s back and so are the Sabbath/Lizzy/Skynyrd touches. I really missed these guys and this is probably their best since “Deliverance”. Added bonus: Queen cover. (8)

DANIEL ROMANO – Nerveless / Human Touch

Canadian singer-songwriter who I’ve been convinced has a masterpiece inside of him releases two new albums simultaneously. The power-pop oriented “Nerveless” once again fails to deliver the fuckin’ masterpiece but the acoustic, naked “Human Touch” comes pretty damn close. (7) / (8)

HARAM – بس ربحت, خسرت When You Have Won, You Have Lost

The New York band’s Arab vocalist, Nader Habibi, utilizes his mother tongue’s idiosyncrasies to give an entirely new twist to hardcore punk. Any way you look at it, an impressive debut. (8)


Released on new year’s day and given away for free (or for as much money as you like) through Rosenstock’s Bandcamp, this is a thoroughly enjoyable power-pop-punk album, sometimes reminiscent of Weezer’s and Ted Leo’s finest moments. (8)

KEIJI HAINO & SUMAC – American Dollar Bill: Keep Facing Sideways, You’re Too Hideous To Look At Face On

Unrehearsed noise improvisations, this sounds scary as hell. (666)

NO AGE – Snares Like A Haircut

A slight departure from their signature lo-fi art-punk towards a fuller sound, at points reminiscent of a weird Dinosaur Jr./Japandroids crossover. (8)

SORCERER – The Crowning Of The Fire King

Missed out on this when it came out a few months ago, sorry! Great epic doom metal in the Solitude Aeternus/Candlemass tradition with huge vocals and lots of neoclassical guitar shredding. You'll love it if you’re into this sort of thing. (8)

THE HOOTEN HALLERS – The Hooten Hallers

Gothic Americana rock ‘n’ roll with gritty vocals and grittier sax for fans of The Legendary Shack Shakers, Reverend Horton Heat, Five Horse Johnson, “Heartattack & Vine”-era Tom Waits. (7)