Wednesday, 29 April 2020
Short Attention Span Record Reviews April 2020, Vol. II
THE LOUDER STUFF
CIRITH UNGOL – Forever Black
Epic doom metal like it’s still 1985, hilariously stupid and amazingly entertaining at the same time. (8)
DANZIG – Sings Elvis
We all knew this was going to happen one day, didn’t we? But he should’ve done it in the 90’s, his voice is now gone for good. (6)
DOOL – Summerland
Second album by Dutch dark rock hopefuls is even stronger than the debut – imagine a more goth Devil’s Blood (with whom they share a couple of members) and you’re halfway there, even though their female vocalist sings more like Geddy Lee than like any of her contemporaries. “Ode To The Future” is probably a conscious semi-rip-off of Patti Smith’s “Dancing Barefoot” but we won’t hold that against them. (8)
KATATONIA – City Burials
Nowadays I stay away from all social and metal media so I have no idea what people are thinking about this one, but I do know what I’m thinking: It’s top-notch goth-prog and their best album since their masterpiece, 2003’s “Viva Emptiness”. (9)
SPARTA – Trust the River
Jim Ward (ex-At The Drive In) returns with the first Sparta album in 14 years infusing his trademark post-hardcore attack with more mid-tempo melodic tracks than expected, and it’s great. (8)
THE PACK A.D. – It Was Fun While It Lasted
Grungy Canadian garage rock duo say farewell with another entertaining album. (7)
ULCERATE – Stare Into Death And Be Still
Apocalyptic death metal at its best, like Gorguts but better. (8)
WITCHCRAFT – Black Metal
It’s not black metal. (6)
THE OTHER STUFF
COWBOY JUNKIES – Ghosts
Like always a bunch of distorted sad songs, sort of like Mazzy Star meets Crazy Horse. (7)
DREAM SYNDICATE – The Universe Inside
Not what you’d expect from the Dream Syndicate, which is exactly what you should’ve expected from the Dream Syndicate. This is essentially an hour-long trippy psychedelic jam, equal parts early Floyd, kraut rock, and “Bitches Brew”-era Miles. (8)
FIONA APPLE – Fetch The Bolt Cutters
She just keeps getting weirder and weirder and better and better. (9)
FRANK TURNER & THE SLEEPING SOULS – Live In Newcastle
This unplugged live set proves the guy’s a great songwriter and the between-songs confessional banter is usually entertaining, but I miss the electricity of the authentic tunes. (7)
LAURA MARLING – Song For Our Daughter
She’s only 30 and this is already her seventh album and it’s stellar once again, Marling is probably the true heir to Joni Mitchell and Leonard Cohen both. (9)
LUCINDA WILLIAMS – Good Souls Better Angels
The 67-year old Queen of Americana is back with the angriest, snarliest, bluesiest album of her long career, in places sounding more like a pissed-off female Tom Waits than anything else. (8)
MARK LANEGAN – Straight Songs Of Sorrow
It’s a Mark Lanegan record, by now you should know you’re getting some solid American Gothic. (7)
SIR RICHARD BISHOP – Oneiric Formulary
A guitar hero like no other, Bishop covers the ground between acoustic balladry and electric avant-garde. (7)
SKYLAR GUDASZ – Cinema
If you’re a Joni Mitchell-influenced female singer/songwriter, you shouldn’t be releasing your album a week after Laura Marling does. (7)
WATKINS FAMILY HOUR – Brother Sister
Gentle acoustic folk from sibling duo better known as members of Nickel Creek. (7)
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