Short Attention Span Record Reviews, Feb 25 Vol. II

RICHARD DAWSON – End Of The Middle
Often classified as a folk artist, Dawson is really in a league of his own sounding like a cross between Captain Beefheart and Tortoise and with an uncanny bard’s ability to tell stories that feel personal, universal, mundane, and extraterrestrial all at the same time. (8)

THE DELINES – Mr. Luck & Ms. Doom
The low-key Muscle Shoals country soul sound and Amy Boone’s gorgeous voice are ideal for late-night listening, but it’s Willy Vlautin’s lyrics that are the real revelation – not only a good musician but an acclaimed author in the Raymond Carver vein, he puts his skills to good use here with stories about the down and out. (8)

DREAM THEATER – Parasomnia
Portnoy’s return to the line-up coincides with a strong album that will thrill prog metal fans, but whether this sound can still be described as “progressive” after 35 years of it is debatable. (8)

CHRIS ECKMAN – The Land We Knew The Best
His former band The Walkabouts were making Americana popular (especially in Europe) before the term even existed in this context, and Eckman still excels at it now that he’s actually living in Europe. (8)

SETH LAKEMAN – The Granite Way
One of the best contemporary English folk artists, and probably the most rock ‘n’ roll one (no surprise that he’s served on Robert Plant’s and Van Morrison’s backing bands) on one of his strongest solo sets, inspired by the stories and myths of his native Devon. (8)

JAMES BRANDON LEWIS – Apple Cores
One of the great contemporary jazz sax skronkers in top form. The rhythm section kills it too. (8)

PRESERVATION HALL JAZZ BAND – Preservation Brass: For Fat Man
New Orleans traditionalists/revivalists dedicate a joyous album to their recently deceased drummer. (8)

NADIA REID – Enter New Brightness
Folk-pop that somehow reminds me of a hybrid between Laura Marling and Chantal Kreviazuk even though it shouldn’t. Her voice is soothing to the soul. (8)

SQUID – Cowards
With Black Midi breaking up and Black Country New Road in the process of transitioning, Squid are left alone to fly to flag for British talk-singing post-punk. But they also sound reluctant to do that, venturing more and more into art rock. (7)

SPIDERS – Sharp Objects
Nordic rockers return and this time they pump up their Detroit/Australia-style garage punk rock with some late-70’s NYC vibes – I can hear traces of Blondie, The Ramones, even Richard Hell/Stiv Bators/Johnny Thunders in here. (8)

SHARON VAN ETTEN & THE ATTACHMENT THEORY – Sharon Van Etten & The Attachment Theory
People will say that Van Etten has gone electronica but, really, this is post-punk and sounds more like Joy Division/Siouxsie than anything else. (8)

Short Attention Span Record Reviews, Feb 25

THE LOUDER STUFF

THE HELLACOPTERS – Overdriver
A very welcome return for these guys and their brand of infectious, high-energy rock ‘n’ roll. Now, where’s Gluecifer so they can tour together? (8)

THE NIGHT FLIGHT ORCHESTRA – Give Us The Moon
Another tasty platter of AOR cheese from and for Toto-loving metalheads. (8)

PENTAGRAM – Lightning In A Bottle
How’s it possible that this guy's still around? In any case even with a new line-up backing him Liebling can still kick the ass of any young doomster, and this new album is groovier - not exactly Clutch, but think Trouble’s “Manic Frustration”. (8)

REVENGE – Violation.Strife.Abominate
This is so fucking evil-sounding I can’t stop laughing. The combination of undecipherable strangled screaming, a guitar that scrapes meat off bones, and a drummer that sounds like he just threw his kit rolling down a staircase is not for everyone, but it’s refreshing to listen to some black metal that just spews hatred without any highbrow pretensions. (8)


THE OTHER STUFF

LILLY HIATT – Forever
Americana stalwart decides to rock a little bit harder this time around with excellent results. Catchy and fun! (8)

LARKIN POE – Bloom
Like an estrogen-fueled hybrid between AC/DC and the Allman Brothers, the Lovell sisters bring on the guitars and kick some serious ass. Again. (8)

ROSE CITY BAND – Sol Y Sombra
Twangy, slightly psychedelic country rock that sounds like it was recorded in 1969. RYIL The Flying Burrito Brothers, New Riders Of The Purple Sage, that sort of thing. (7)

ANNA B SAVAGE – You & I Are Earth
A beautiful, largely acoustic record that sounds like a 32-minute-long love letter to a new lover as well as to her adopted home of Ireland. Lankum’s producer does a stellar job of bringing out the best in songs that were great to start with. (8)

TUNNG – Love You All Over Again
Very English-sounding folktronica. (7)

THE WEATHER STATION – Humanhood
As always everyone will bring out the Joni Mitchell references, but to the Geek’s ears it sounds more like Sarah McLachlan. This is also a compliment. (8)