Short Attention Span Record Reviews, May 24 Vol. II

THE LOUDER STUFF

KERRY KING – From Hell I Rise
Essentially a post-Hanneman Slayer album, King never stepping away from his comfort zone. Decent but non-essential. (7)

PALLBEARER – Mind Burns Alive
I like the new Pallbearer, it’s less about crushing doom riffs and more about the vibe and the atmosphere, in an almost post-rock way. (8)

SHELLAC – To All Trains
Oh man, I loved Albini, he was the real thing. His swan song is a perfect example of the Albini ethos, huge drum sound, razor-sharp noise-rock riffs, the sarcasm and attitude turned to 11. I’ll miss him. (8)

SLASH – Orgy Of The Damned
Star-studded blues album (“Blues Your Illusion”?) with everyone from Brian Johnson to Demi Lovato joining the G’n’R guitar slinger on some overplayed classics. Lots of cool guitar solos but come on, really, does the world need another cover version of “Crossroads”? “Hoochie Coochie Man”? “Born Under A Bad Sign”? (6)


THE OTHER STUFF

ANDREW BIRD TRIO – Sunday Morning Put-On
Bird loves jazz so he digs deep into the Great American Songbook and beautifully covers a bunch of tunes by Cole Porter, Duke Ellington etc. with a violin-bass-drums lineup. (8)

BLITZEN TRAPPER – 100s Of 1000s, Millions Of Billions
First heard these guys in 2008 when “Furr” was released on Sub Pop (I loved that one), had no idea they’re still around but their psych-leaning folk rock remains potent. (8)

BETH GIBBONS – Lives Outgrown
The voice of Portishead returns with an album that takes careful steps to distance itself from the trademark Portishead “trip hop” sound but still manages to create a very strong emotional response, beautiful and haunting. (9)

MICHAEL HEAD & THE RED ELASTIC BAND – Loophole
2022’s “Dear Scott” was the surprise on that year’s List, the new album by cult songwriter (you know him, or don’t, from The Pale Fountains) and Love aficionado Head is a bit scrappier. (7)

KAIA KATER – Strange Medicine
Canadian folkie adds jazz and R&B elements to her roots music and comes up with something great. (8)

THE MAVERICKS – Moon & Stars
A gorgeous album seamlessly blending Tex-Mex/Tejano influences into the band’s country rock. And Raul Malo’s Orbison-like tenor remains unbeatable. (8)

Short Attention Span Record Reviews, May 24

HOT WATER MUSIC – Vows
If you’re a HWM fan then this will not disappoint – it’s stacked with melodic post-hardcore bangers and huge sing-along choruses. (8)

KINGS OF LEON – Can We Please Have Fun
“Mustang”, the lead single, was fucking amazing and probably the best song these guys have ever come up with. The rest of the album has its moments but it’s mostly MOR/AOR from the heartland. (7)

POKEY LAFARGE – Rhumba Country
An Americana heart decorated with Latin-flavored influences and a great sense of humor. (7)

THE LEMON TWIGS – A Dream Is All We Know
Re-confirming their status as power-pop royalty for the 20’s. (8)

MDOU MOCTAR – Funeral For Justice
This is not the “desert blues” made popular by Tinariwen, this is “desert punk fucking rock”! And the guy really shreds, like Sahara’s answer to Eddie Van Halen or something. (8)

JESSICA PRATT – Here In The Pitch
Pratt’s records are always magical, and on her fourth she expands on the dreamlike qualities of her music by utilizing richer instrumentation. Simply gorgeous. (8)

LAWRENCE ROTHMAN – The Plow That Broke The Plains
A strong and very personal Americana album (basically it’s country), by non-binary Rothman who has previously worked with everyone from Kim Gordon to Duff McKagan to Lucinda Williams and even a pre-fame Billie Eilish. Here with a little help from friends/guests including Jason Isbell, Amanda Shires, and S.G. Goodman. (8)

ROTTING CHRIST – Pro Xristou
All the songs have the same mid-tempo beat and the same riff, but it’s a great beat and a fuckin’ awesome riff. (8)

FRANK TURNER – Undefeated
Beloved by the fans (he just sold out his 3000th show) but snubbed by the “serious” music press (I don’t think I’ve ever seen one word about him in Pitchfork or Uncut), Turner reached album #10. “Undefeated” is solid, like Billy Bragg backed by The Hold Steady, a bit more low profile than 2022’s “FTHC”. (8)

KAMASI WASHINGTON – Fearless Movement
Featuring rappers, George Clinton, Thundercat, and a Zapp cover, this is Kamasi at his most playful. Of course, this is still jazz for a large ensemble and the musicianship remains unparalleled. (8)

Short Attention Span Record Reviews, Apr 24 Vol. III

THE LOUDER STUFF

BIG|BRAVE – A Chaos Of Flowers
Bjork goes post-metal. (7)

DOOL – The Shape Of Fluidity
A dark, gothy prog with some modern post-metal elements that would not disqualify the band from sharing a bill with mid-period Anathema or latter-day Katatonia. Good, but not as good as 2020’s “Summerland”. (8)

HARVESTMAN – Triptych Part One
Neurosis mainman Steve Von Till goes full-on ambient dub with contributions from Yob and Sleep members. Fire up that bong. (8)

HIGH ON FIRE – Cometh The Storm
It’s fuckin’ High On fuckin’ Fire, what do you think this sounds like? Prepare to have your eardrums melted by awesome riff after awesome riff at an unbearably loud volume, like Mastodon trying to be heard over Motorhead playing right next to them, and please welcome the incredible Coady Willis (Big Business, Melvins) on drums. (8)

MELVINS – Tarantula Heart
I’ve been following these guys for decades, listened to 30+ of their albums and EPs, and I’ve read about a “return to form” for at least a dozen of those where the reviewer usually means their slightly more accessible “Houdini”/“Stoner Witch” era. That’s what reviewers are saying about this one too but reviewers are full of shit because this one’s weird as fuck, but in a good way – thrown some Butthole Surfers into their sludge, perhaps? (8)

MY DYING BRIDE – A Mortal Binding
Is it just me or is the violin slightly off-key/out of tune? I like the riffs, more brutal than their last few albums, and nobody plays doom/death metal like MDB, but I find that violin a bit distracting. (7)

PEARL JAM – Dark Matter
Who would’ve guessed that Pearl Jam not only would outlive Nirvana, Soundgarden, and Alice In Chains but, 33 years after their debut, still be capable of releasing one of the year’s best pure rock albums? (8)


THE OTHER STUFF

T-BONE BURNETT – The Other Side
A quiet, beautiful, introspective record by Burnett who’s better known as a Grammy-winning producer but is also the King of Americana. (8)

IRON & WINE – Light Verse
A return to form for Americana stalwart, and his duet with Fiona Apple on “All In Good Time” is a serious candidate for song of the year. (8)

ST. VINCENT – All Born Screaming
Probably the best St. Vincent album to date, Annie Clark has never sounded realer and, well, more fun, moving with ease between funky rock, NIN-inspired industrial, and dream pop. (8)

TAYLOR SWIFT – The Tortured Poets Department: The Anthology
It’s fine. (8)

VARIOUS ARTISTS – The Power Of The Heart: A Tribute To Lou Reed
A really good tribute album, most of the artists put their own spin on the songs, very few play it straight. Featuring Keith Richards, Rufus Wainwright, Joan Jett, Rickie Lee Jones, The Afghan Whigs, Mary Gauthier, Lucinda Williams, Rosanne Cash and others. (8)

Short Attention Span Record Reviews, Apr 24 Vol. II

THE LOUDER STUFF

EARLY MOODS – A Sinner's Past
Sounds like a cross between Saint Vitus and Count Raven. BTW “Early Moods” can be anagrammed as “Doom Slayer”, which is probably a more appropriate name for these guys. (7)

GUN – Hombres
Nobody plays anthemic, melodic hard rock like this anymore. A very strong album, right up there with “Taking On The World” and “Gallus”, with Dante Gizzi’s transition from bassist to lead vocalist/frontman a great success story. (8)

HEAVY TEMPLE – Garden Of Heathens
This fucking rocks (or, rather, RAWKS) in a High On Fire/Yob sort of way, plus I’d listen to a band with a frontwoman named High Priestess Nighthawk any day. (8)

WHOM GODS DESTROY – Insanium
This is basically a new version of Sons of Apollo and the fantastic Croatian guy replacing Soto on vocals is the only real surprise here, other than that it’s the Dreamy Theatery stuff you’d expect. But my question is, how come every single fucking band that copies Dream Theater has a better singer than Dream Theater? (7)


THE OTHER STUFF

CINDY LEE – Diamond Jubilee
This one has been getting 9+ reviews from virtually every music critic in the solar system but I assume that’s because they were teenagers in 2000 and they got all nostalgic when Cindy Lee, in a genius zero-budget marketing move, decided to only make the album available on GeoCities. But really, 128 minutes of low-fi late 90’s indie pop influenced by 60’s girl groups? My attention span is too short for that. (7)

ENGLISH TEACHER – This Could Be Texas
Some people call it post-punk but it’s really just some very cool music that’s a bit all over the place, I haven’t enjoyed an album like this coming out of the UK since, I dunno, Wolf Alice’s “Blue Weekend”? Which is a pretty good point of reference BTW, along with Black Country New Road. (8)

SHABAKA HUTCHINGS – Perceive Its Beauty, Acknowledge Its Grace
WTF is wrong with you man, you used to be fun. People could actually dance to your jazz, and now you’re doing this cosmic hippy shit? (5)

WILLIE NILE – Live at Daryl’s House Club
Bruce Springsteen without the budget, Lou Reed without the high art, Bob Dylan gone power pop, I love this guy. (8)

AARON LEE TASJAN – Stellar Evolution
Maybe you know Tasjan as an Americana artist but his versatility is well documented (he even played guitar in the 21st century version of the New York Dolls) and this is a fantastic glam pop album. (8)

VARIOUS ARTISTS – My Black Country: The Songs Of Alice Randall
Tribute album to trailblazing African American female country songwriter, a companion release to her autobiography with the same title. Rhiannon Giddens, Adia Victoria, Sunny War, Valerie June and others pay their respects. (8)

Short Attention Span Record Reviews, Apr 24

BEYONCE – Cowboy Carter
The previous album was Beyonce’s club music album, this one is supposedly her country album but it’s not: Instead, Beyonce just uses country imagery and signifiers as a springboard to make a statement about black women artists in a white man’s world. None of this would matter without decent songs, but “Cowboy Carter” has some great ones. I really enjoyed this. (8)

SCOTT H. BIRAM – The One & Only Scott H. Biram
A true road warrior honing his craft in sleazy honkytonks all over Texas, Biram mixes southern rock, outlaw country, blues and punk and kicks some serious ass. “Sinner’s Dinner” even sounds like prime Steppenwolf, and I love fuckin’ Steppenwolf. (8)

BLACK KEYS – Ohio Players
Probably their best album since 2011’s “El Camino”, certainly the most fun. (8)

CEDRIC BURNSIDE – Hill Country Love
The “Mississippi Country Hill Blues” subgenre, made popular in juke joints across the South by the likes of Cedric’s grandpa R.L., in all its joyous glory. If you thought blues was sad music, check this out and bring some moonshine and fried chicken to the party. (8)

COFFIN STORM – Arcana Rising
A bunch of Norwegian underground metal lifers including Apollyon and Fenriz play some riff-tastic epic doom, like Candlemass with Hellhammer’s attitude. (8)

SHERYL CROW – Evolution
Her previous album was supposed to be her last one but I’m glad it wasn’t, Crow remains one of the best songwriters out there and this album once again proves that her radio-friendly heartland rock with huge pop hooks is up there in the Pantheon with the likes of Tom Petty. (8)

ALEJANDRO ESCOVEDO – Echo Dancing
Legendary septuagenarian Texan revisits 14 tracks from his long solo career and bands he played in like Buick McKane and The True Believers. Given his ease in moving between diverse genres from punk to country, it’s not entirely surprising that a lot of these reinterpretations sound nothing like the originals and might even remind one of Suicide in places. (8)

PHOSPHORESCENT – Revelator
Competent country rock by a guy who obviously knows what he’s doing even when he’s singing about not knowing what he’s doing. (8)

THE SECRET SISTERS – Mind, Man, Medicine
Americana duo from Muscle Shoals, Alabama knit their close harmonies once again on a wonderful little album that will appeal to fans of everyone from the Everly Brothers to Phoebe Bridgers. (8)

SARAH SHOOK & THE DISARMERS – Revelations
File under “cowpunk with pop ambitions” next to Lydia Loveless. (7)

VAMPIRE WEEKEND – Only God Was Above Us
I always liked bands coming out of NYC but that ended sometime in 90’s with people like Cibo Matto and Soul Coughing, the 00’s New York scene always seemed a bit too preppy/upper class for my tastes (with the notable exception of hard-drinking working class classic rockers The Hold Steady, of course). Vampire Weekend are among the survivors of that scene and on this album the intelligent pop (slightly) dominates over the preppiness. (8)

Short Attention Span Record Reviews, Mar 24 Vol. II

THE LOUDER STUFF

THE BLACK CROWES – Happiness Bastards
The Black Crowes return in full “Exile On Main St.” cosplay, and it rules. (8)

EXHORDER – Defectum Omnium
Underrated NOLA thrashers who are at least partially responsible for Pantera becoming Pantera, widen their scope – “Year Of The Goat” starts as old-school Norwegian black metal, “Stolen Hope” and “Your Six” sound like early Soundgarden, and so on. The “Pantera groove” is still there though. (7)

JUDAS PRIEST – Invincible Shield
A follow-up to 2018’s excellent “Firepower”, “Invincible Shield” is another fantastic Priest album with Halford in top form, killer guitars, and songwriting that quite honestly is up there with all their classics. (8)

VLTIMAS – Epic
It’s the combination of David Vincent’s totally over-the-top vocals and Blasphemer’s trademark dissonant riffs that makes this black/death metal supergroup so much fun, you just can’t help pretending to be evil when you hear something like “Mephisto Manifesto”. (8)


THE OTHER STUFF

THE HANGING STARS – On A Golden Shore
Is it still “Americana” when played by Englishmen? Anyhow I like these Londoners, they have the whole Gram Parsons/Byrds/Burritos thing down pat already so now they’re expanding their palette to include more contemporary, poppier influences (think Sheryl Crow?). (7)

JULIA HOLTER – Something In The Room She Moves
Every time Holter releases a new album I stream it immediately, and every time I fail to get it: She sits somewhere between avant-garde, jazz, and pop, and if she would only allow her pop melodies to shine instead of hiding them under all the distracting stuff she’d be much closer to my tastes. (6)

JOHN LURIE – Painting With John
Music from the weird, funny and wonderful TV series which is certainly not about painting. My only complaint: It does not include the hilarious “Flea’s Walk” from the episode where the RHCP bassist visits his friend John. (8)

LOREENA McKENNITT – The Road Back Home
Live album focusing on McKennitt’s roots in the Celtic folk music tradition. Some of the songs you know from her studio albums, some are recorded by her for the first time. Beautiful. (8)

THE MESSTHETICS & JAMES BRANDON LEWIS – The Messthetics Αnd James Brandon Lewis
An excellent album occupying a strange place between jazz-fusion and post-rock, this one features a guitar shredder, a tenor saxophonist, and the rhythm section from Fugazi. Wrap your head around that. (8)

KACEY MUSGRAVES – Deeper Well
Expectations are always high from people who have previously topped the List and Musgraves does not disappoint, moving with ease between Fleetwood Mac soft rock, delicate country folk, and Laurel Canyon singer-songwriter poetry. (8)

ROSALI – Bite Down
A very strong country-rock record with a Neil Young/Crazy Horse flavor. Not to be confused with Rosalia. (8)  

MARRY WATERSON & ADRIAN CROWLEY – Cuckoo Storm
A very strange but delightful little album that defies labeling and categorization. You can call it folk I guess (Waterson comes from a family considered folk royalty in England) but it’s much more than that, venturing into jazz and even Scott Walker weirdo territory at times. (8)

WAXAHATCHEE – Tigers Blood
One for the Year-End lists, this is probably Katie Crutchfield’s strongest album – more indie rock than Americana. (8)

Short Attention Span Record Reviews, Mar 24

THE LOUDER STUFF

BRUCE DICKINSON – The Mandrake Project
If I would describe this album with one word Ι’d call it “safe”, despite Dickinson usually being the risk-taker in the Iron Maiden universe. (7)

BEN FROST – Scope Neglect
Avant-garde electronica musician goes metal, sort of – this is an attempt to deconstruct/reconstruct metal by building cinematic soundscapes around djenty guitars. If you think you could get through 40 minutes of Autechre remixing Meshuggah riffs without getting a headache, then go ahead. (6)

MANNEQUIN PUSSY – I Got Heaven
First half of the record is slightly grungy 90’s-flavored indie rock, sometimes reminiscent of Hole. Second half of the record they go hardcore. The whole thing, despite it being a break-up record, is pure joy. (8)

MEGA COLOSSUS – Showdown
Heavy metal the way it’s meant to be, old-school like back in 1981 when everyone from Iron Maiden/Riot/Exciter to Y&T/Styx/Boston was labeled “metal”, no subgenre bullshit. These guys are obviously having a blast and so will you. (8)

MINISTRY – Hopiumforthemasses
If they had broken up in 1997 you wouldn’t have missed anything important and that’s the case with this album as well – the kind of competent but formulaic industrial metal record we’ve come to expect from Al Jourgensen, full of samples and raging against the machine. The main thrills are provided by guest vocalists like Jello Biafra and Eugene Hutz. (7)

NORTH SEA ECHOES – Really Good Terrible Things
Matheos & Alder go ambient. It’s supposed to be something entirely different from Fates Warning but really, if you speed the songs up just a bit and add a metal rhythm section and a distortion pedal, these are Fates Warning songs. That’s a good thing, of course. (8)

PISSED JEANS – Half Divorced
This sounds just like something released on Amphetamine Reptile Records ca. 1990 by Jesus Lizard, Surgery, Cows or some shit, excellent. (8)

SLEEPYTIME GORILLA MUSEUM – Of The Last Human Being
Wow, never thought I’d hear from these guys again but this album sounds like they never went away, an uber-weird prog metal cabaret amalgam of King Crimson, Mr. Bungle, Primus, and Kurt Weill. (8)


THE OTHER STUFF

THE BEVIS FROND – Focus On Nature
Nick Saloman has described his band better than any music critic ever will: “A Hendrix/Wipers/Byrds sound but with a distinctly British feel”. This is probably the best album from a 70-year-old guitar hero you’ll get this year. (8)

AZIZA BRAHIM – Mawja
West Saharan singer and activist’s fifth album is a triumph that will make the WOMAD crowd delirious with joy. (8)

FIRE! – Testament
This is jazz for people who prefer rock to jazz, and they’ve got Steve Albini on the console to prove it. (8)

HURRAY FOR THE RIFF RAFF – The Past Is Still Alive
This is a HUGE step forward for Alynda Segarra, where they finally nail it with a killer collection of songs that will most likely sit on top of the heap of 2024’s best Americana albums. (9)

CORB LUND – El Viejo
Canadian country guy makes good use of his formal jazz training by incorporating the occasional Django-like gypsy jazz/swing element into his humorous tales of cowboys, outlaws, and gamblers. Good fun! (8)

NADINE SHAH – Filthy Underneath
Everyone knows the “tortured artist” cliché, but in Shah’s case losing her mother, getting a divorce, attempting suicide, and entering rehab since her previous album has actually led to the creation of a masterpiece, a brave album that will appeal to fans of PJ Harvey and Depeche Mode alike. (9)

SHEER MAG – Playing Favorites
Can something be indie rock and arena rock at the same time? Sheer Mag seem to pull it off by finding the right balance between Thin Lizzy riffs, Big Star jangle, and Minor Threat ethos. (8)  

SHEHERAZAAD – Qasr EP
Stunning debut for this young artist, with influences ranging from Indian-classical to flamenco and jazz. “Produced by Arooj Aftab” should’ve been a dead giveaway. (8)

YARD ACT – Where’s My Utopia
On the first album they were compared to The Fall, second time around they go beyond the “post-punk” label and sound like a hook-filled combination of Arctic Monkeys and Gang of Four. (8)